The Masks We Wear
We all like to fool ourselves into being someone we are not. Every day, we take on many different roles – a stressed student, an all-star athlete, and a perfect child. Yet, we never realize that we end up trapping ourselves into this perfect reality that we’ve created. Perhaps Art Spiegelman felt the same way when he realized where Maus had led him. In part 1 of Maus, Artie is simply interested in learning more about his father’s past and what he went through, but part 2 is starkly different. In this part, Artie begins to realize that Vladek’s story, along with the stories of the millions of Jews that went through the Holocaust, was not his story to tell. On page 41, Artie is depicted sitting at a drawing desk placed upon a pile of dead Jews. This image shows how the drawing easel, the same one that he created the first book on and is the stem of his success, now rested on the deaths of those Jews. It also demonstrates how Artie’s depictions of Vladek’s story were inevitably bury...